Available on iTunes, Disney+. Like many teenagers, Miley Stewart (Miley Cyrus) juggles family, friends and school, but unlike her peers, she has a secret pop-star persona called Hannah Montana. When Hannah's soaring popularity threatens to take over Miley's life, her dad (Billy Ray Cyrus) steps in to give the teen a reality check. Ca urmare, tatăl ei (Billy Ray Cyrus) o duce acasă, în Crowley Corners, Tennessee, unde îi administrează o doză bună de realitate și astfel începe o aventură plină de distracții, râs și romantism, așa cum nici măcar Hannah Montana nu ar fi reușit să își imagineze. Hannah Montana: The Movie is based on the film of the same name. You can play in story mode or perform each song separately. There are also mini-games like bottle toss, frong hopping and horse racing. In story mode you will play through the story of the movie which takes you from the stages of Los Angeles to your home town of Crowley Corners. Oswald Granger is the central antagonist of the 2009 musical film Hannah Montana: The Movie. He is a sneaky undercover journalist for celebrity magazine BonChic. His plan is to uncover Miley Stewart's double-life (including her alter-ego as Hannah Montana to the whole world. He is played by Peter Gunn. Oswald is first presented as a sneaky journalist, who first becomes suspicious of Hannah Hannah Montana: The Movie featured some famous musicians as cast members, such as Taylor Swift, who plays Hannah's singing rival, and Lucas Till, who plays Hannah's love interest in the movie. Additionally, Miley Cyrus recorded six new songs for the film, including "The Climb," which became an anthem for young adults worldwide. Originalbilder: Hannah Montana - The Movie / ©Walt Disney Studios Motion Pictures Germany GmbHDie Promotion dieses Trailers erfolgt ohne Gegenleistung. Meine . Hannah Montana AllMusic Rating 6 User Ratings (0) Your Rating Overview ↓ User Reviews ↓ Credits ↓ Releases ↓ Similar Albums ↓ "Livin' two lives is a little weird," sings Miley Cyrus as Hannah Montana on her signature track, "The Best of Both Worlds." Hannah Montana: The Movie and its soundtrack try to present the best of many worlds -- pop and country, California and Tennessee, Disney and non-Disney artists -- and it's also a little weird. Given the huge success of the TV series and the concert movie, it was inevitable that there would be a big-screen Hannah Montana story, but it's almost uncanny how the movie's storyline, which involves Hannah having to choose between pop stardom and her "real" life as regular country girl Miley Stewart, echoes Disney's efforts to separate Cyrus' stardom from Montana's. This tug of war of personas also shows up in the movie's music: originally, Montana's music was based on the pop of past Disney queens like Britney and Christina (with a smidgen of Avril Lavigne), but songs like "Let's Get Crazy," which makes a beat from paparazzi flashbulbs, and "The Good Life," a sugar-coated celebration of Gucci handbags and Prada shoes, sound more like fizzy caricatures of pop songs than ever. Tellingly, the best songs that Cyrus sings on the soundtrack have her own name on them -- aside from the goofy "Hoedown Throwdown," which feels more like a parody of down-home fun than a tribute to it. Cyrus' husky twang sounds far more natural, more down to earth and grown-up, on songs like "Don't Walk Away," "Dream," and "The Climb," all of which recall the Shania Twain-lite of her debut album, Breakout. This Nashville feel dominates on Hannah Montana: The Movie, from "Butterfly Fly Away," a treacly duet between Miley and her dad Billy Ray, to the inclusion of songs from country stars in an attempt to add more authenticity to Hannah's sometimes suffocating world. Billy Ray's "Back to Tennessee" fits in smoothly with an acoustic version of Rascal Flatts' witty "Backwards" (although their "Bless the Broken Road" drags). However, the best song on Hannah Montana: The Movie belongs to Taylor Swift. Her "Crazier" is more genuine, more effortless, than any of Miley or Hannah's tracks, which is all the more interesting considering that Swift is, in a lot of ways, what Hannah Montana was aiming for in the first place: a massive teen star with country roots and pop polish who seems comfortable in, and delivers the best of, both of those worlds. The soundtrack's segmented track list adds to its strangeness; after so many songs about going back home and getting back to roots, it's a little disorienting to return to Hannah's glitzy world with "Let's Do This" and "Spotlight." At just over an hour long, Hannah Montana: The Movie provides devoted Hannah/Miley fans with plenty of music for their money, but anyone else will find it exhausting. blue highlight denotes track pick

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